2022 In Review: Five Key Trends In The Dance Space
From the social acceptance of non-dance artists to the house-influenced LP revival to the music of the '90s and early 2000s, it's no surprise that the dance/electronic scene is exciting and may have been their first real entry. Epidemic year . What is consistent, however, is the emergence of the distinct trends that characterize this creatively rich year for dance/electronic music . This trend has touched every corner of the industry, from audio formats to event formats and the digital landscape and beyond . Our 2022 Astronauts Parade Trend Highlights are not meant to be a complete or comprehensive record of every trend that has emerged over the last year, but rather a short list focusing on some of the trends we found most interesting. Check out our year of dance music with us below.
(on and off the dance floor)
Honestly, everywhere the dance listener stands, the Nevermind (Break or Pass) series, mostly complements each other, and one of the world's best sellers was surprised when he tried out an album with elements of house, Baltimore club, and club jersey. . With Black Coffee executives and creative direction from Gordo. When Renaissance hit digital streaming platforms on July 29, 2022, powered by powerhouses like Skrillex, Honey Dijon, and Green, most streams still headed for Drake's divisive dance (Velvet Lightning this year: it's a double whammy as two popular music artists embracing House. The music in its long form made its way through immediate and established circles. It stems from a talent for playing house music that some people haven't always had. Introduced the genre. being overshadowed by producers loyal to the genre today, pushing many streams into the house world, thus placing house music in the orbit of some, if not, of their mainstream pop culture (paid listeners)—even for 15 minutes.
In the words of Ross Goldenberg
Despite being a crossover of 2000's big space and techno. Even though it's not 2022, the hybrid hit its most exciting milestone this year, thanks in large part to Hardwell and The Rebels' Never Die album , The Astronauts for 2022.
Pre-pandemic artists like Maddix, Will Sparks, and even i_o played cross-genre crossovers based on this mainstream. The consistency of their previous efforts, combined with the consistency with which they pushed their way underground to the forefront of dance music, paved the way for Big Room Techno to grow to even greater proportions in 2022. Approaching it in his own unique way, Hardwell explores big room techno for Rebels Never Die , combining the welcome maturity of its sound with 2010 nostalgia with an upbeat, New Age vibe that has inspired others to follow suit. Footsteps because this album was made between March and September.
In the changing dance music landscape, it's clear that bigroom techno is here to stay in 2023, especially with Hardwell and Revealed Recordings leading the way, while major techno researchers like Maddix and Will Sparks continue to work at crossroads.
2022 is a love letter to '90s and early 2000s sound, bringing elements from the past decade into the present, including several producers Kx5 ("Take Me High") and Glitch Mob ( Ctrl Alt Reality ). Prices for seasonal products are carried out with nostalgia. Ed Ma of Glitch Mob talks about the creative process behind Ctrl Alt . We have tried to tap into the spirit and energy of old school rural culture where people should come together under one roof. Realism , a '90s-inspired sound, and a sense of community and connection define the LP, which focuses on the decade's dance events.
While artists such as Kx5 and The Glitch Mob channeled the sound and feel of the 90s music into their original material, others have sampled or remixed music from the 90s and early 2000s. David Guetta and Baby Richa ("I'm Good (Blue)", 1998 Eiffel 65 single, "Blue (Da Ba Dee)"), astronaut dance on 2023 Azzeka ("I'm Waiting" reminiscent of Cassie's single "I to 2006's ': and You' and Beyoncé ('Break My Soul') from an extensive list of producers, including 1992's Robin S.'s 'Show Me My Love' (Stonebridge Club Mix). May 2022 in Manchester for Flashback Festival New is "Manchester's only outdoor festival celebrating the best dance music of the 90s and 2000s... bringing timeless melodies and refreshing vibes to city audiences" and returns to Plattfields Park on 20 May 2023 in the UK.
In April 2022, the International Music Summit predicted that electronic and club dance/festival expectations would return to pre-pandemic levels, with demand for dance events "higher than ever" based on data from Skiddle. 2022 will be a barometer of the demand for destination festival formats, especially in dance halls/cyberspace, and over the past year it has become clear that this form is not a fad. Indeed, 2022 can be seen as the year of the destination festival for dance music, following the debuts of Ember Shores ILLENIUM (December 2-4, Cancun, Mexico) and Sundream Tulum from RÜFÜS DU SOL. Weekends: March 3-6 and March 10-13 in Tulum, Tiesto Excursion (31 March-3 April, Cancun), Exile Paradise Blue (29 April-1 May, Cancun), Croatian Edition of Kigo Palm Tree Edition. Music Festival (August 27-Sept. 1, PAG) and Deadmau5's Kaskade and Sun SoaKed and Friend5 (Dec. 16-18, Cancun).
The allure of destination festivals, especially those held at all-inclusive resorts, isn't easy; In the dance/electronic events market, such events give artists more creative control and curiosity with intimacy. Opportunities for artist and fan connections and more financial incentives. Through 2023, the destination festival format will remain a staple of the dance/electronic calendar, with previously announced and popular iterations of existing event dates. Please note that Sundream Baja by RÜFÜS DU SOL will take place from 5 to 8 May 2023 at El Ganzo Sculpture Park. in San Jose del Cabo. Meanwhile, Excitement Paradise Blue returns to Cancun from April 28-30. How audiences respond to the return of existing destination festivals, as well as the introduction of new festivals, will ultimately determine whether the dance/electronic destination festival market can sustain expansion of the current destination festival. But for now, it's safe to say that artists and audiences alike are pushing hard for Destination Festival 2022.
Yes, we are talking about TikTok, but not in the way you might expect. This is not about TikTok's controversial system of ownership of songs, but about the so-called "boxing" of dance shows, a mandatory procedure for brands and artist groups to create regular content on the platform. TikTok was only available in the US in August 2018, and by October of the same year, app downloads overtook Facebook, Instagram, Snapchat and even YouTube. By February 2019, TikTok will reach 1 billion installs on the App Store and Google Play Store, according to TechCrunch . While the video-sharing platform will remain popular well into 2022, TikTok's social impact in the dance space is being felt in a whole new way this year.
In a common phenomenon with the pop genre, where TikTok is equally influential, sharing videos and song IDs of certain artists on the app led to a rare but exciting form of virality that later spawned full-length releases. Take for example "I'm Fine (Blue)" by David Guetta and Bebe Rexha. Surprisingly, the now Grammy-nominated single wasn't meant to mature beyond the show stage, Elite Daily reports. Recorded in 2017 and then used on Guetta's set at that year's Ultra Music Festival, the demo suddenly hit TikTok, forcing him to do what he never thought possible: finish it (with Rexha's help) and then edit it. Looking back at 2022, the sleepy beat set a shining example in Tik Tok's unexpectedly successful dancehall.
Over the last year, TikTok's role in bringing the unconventional raven to a series of live (or perhaps not easily quantified) events has had an impact on the circuit. The ease with which content creators on the platform upload and share videos that appear on the pages of app users who are unfamiliar or unfamiliar with the subject of the video can inspire viewers to try new products, recipes or cosmetic experiments. Dance event. As the music industry returns to normal in 2022, disrupted by Covid-19 related event cancellations, content for dance shows and festivals is booming on TikTok, creating enormous interest in the event. The Brooklyn Mirage could serve as a case study in dance show "Tiktokify". New LED display videos on the site flooded into TikTok as the venue underwent renovations for Spring/Summer 2022. In the comments section of this video, curious viewers are shown tagging their friends and leaving signs of their interest in visiting the Mirage. While the video was originally posted by what could be considered a traditional audience (read: regular people who attend dances and are familiar with social etiquette), it appeals to non-traditional jacks, some of whom have never attended a dance. And they share their experience on Tik Tok, which has expanded cross-pollination. Repeating this cycle has created a trend of attending dance events and recording them on TikTok. Burning Man 2022's incredible visibility on TikTok can be seen as another case of "Tiktokification".
To be clear, sharing dance events on social media or videos is not a new concept in this space, but the speed at which this level reaches TikTok is rare and perhaps unprecedented for the scene. Although there are instruments in various media that have succeeded in attracting non- traditional performers to dance events (M
Featured image: Rutger Girling
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